[Verse 2]
Maybe we’ll be
Better over summer
(Let it go)
But I get distracted
When you start grabbing
At my belt then
Pull me in, I’ll drown
In that backseat
One of these nights
Under the view
(Under the view)
Where your body is a menace
(You push in)
And mine seems so endless
(Under the view)
You start fires
Then you run
You run on and on
(But I got you this time)
So don’t run
Don’t run
Don’t-
(Run)
[Pre-Chorus]
Love can hold you down
It's like a million birds
Around your neck, dead
Weight don't leave me
Don't leave me
[Hook]
Baby look at me (at me)
My eyes are to something wrong
(To something wrong)
Gaslight, then leave?
I dare you, I dare you!
(I dare you, I dare you)
Baby can't you see?
(You see?)
Till my heart gives out
I can't let you give up
On me
But I dare you
I dare you to!
[Chorus]
To gaslight me
(And don't you try to leave)
Try to leave
Don’t you ever
Ever, ever, ever
(Don't do it)
Ever, ever, ever
(Ever)
Ever, ever, ever, ever
[Instrumental Break]
[Bridge]
My love I’ll hold you down (down)
All you did was fuck around (round)
My words don’t bend
I cared and cared
Caressed and cared and
(And cared)
My love I’ll hold you down (till)
A million trips around (still)
The sun
So you don’t you ever gaslight
Mitsubishi invokes otherworldly stages for the procession of Chivengi's ache-filled singing. It's a primordial kind of R&B with futurist haptics. I love "AGONY" and "For You." Lamb
Ojerime recalls all of R&B's gravity-defying moments: the car bounce of SWV's "Release Some Tension;" the hazy slow-groove of "One in a Million." Like the best of R&B, 'B4IB' is music you wanna *be.* Lamb
